BLACKPINK Solo Discography: Every Member, Song, and Release Timeline

Most casual listeners assume BLACKPINK exists solely as a four-person group. If you only look at their collective studio albums and EP drops, you miss more than half of the music that defines their global footprint.

Between 2018 and 2024, Jennie, Rosé, Lisa, and Jisoo executed a solo rollout model unique in modern pop music. Instead of pausing group operations to pursue individual careers, each member built a distinct sonic identity, broke standalone streaming records, and eventually launched independent management setups while keeping the main group intact.

Understanding the BLACKPINK solo discography requires tracking two distinct eras: the initial single-album rollouts under YG Entertainment and the global, multi-label expansion that followed their 2023 group contract renewal.

Direct Answer: The BLACKPINK solo discography includes every standalone single, single album, and featured track released by Jennie, Rosé, Lisa, and Jisoo. The sequence began in November 2018 with Jennie's "SOLO," followed by Rosé's single album R in March 2021, Lisa's LALISA in September 2021, and Jisoo's ME in March 2023. Since 2024, members have released self-directed global singles including Lisa's "ROCKSTAR," Rosé's "APT.", and Jennie's "Mantra."

The Two Eras of BLACKPINK Solo Drops

The architecture of BLACKPINK's individual work splits clean down the middle around late 2023.

During Era 1 (2018–2023), YG Entertainment managed all solo releases. The agency used a "single album" format: a physical and digital bundle usually containing two main tracks, instrumental versions, and focused promotional cycles. These drops were spaced years apart, building intense market demand while feeding back into the group's overall brand power.

During Era 2 (2024–Present), all four members renewed their contracts with YG Entertainment for group activities while taking full ownership of their individual work. Jennie established Odd Atelier (OA), Lisa founded LLOUD, Jisoo launched BLISSOO, and Rosé signed a solo label deal with Atlantic Records while continuing her management with THEBLACKLABEL. This shift brought an immediate spike in output, international features, and stylistic experimentation.

To study the complete chronological catalog, explore the interactive tools at the BLACKPINK Decade Set archive.

Jennie: The Vanguard of the Solo Strategy

Jennie was the first member to step out as a standalone artist. Her solo work centers on sharp hip-hop phrasing, R&B vocal textures, and high-fashion pop aesthetics.

"SOLO" (November 12, 2018)

Written by Teddy Park and produced alongside 24, "SOLO" set the sound template for early member releases. The track opens with clean, sparse trap beats before moving into a melodic synth drop. Lyrically, it covers the transition from co-dependency to independence. "SOLO" topped Korea's Gaon Digital Chart and became the first song by a female K-pop solo artist to cross hundreds of millions of Spotify streams.

"You & Me" (October 6, 2023)

First performed live during the opening night of the Born Pink World Tour in 2022, "You & Me" received an official release a year later. The track uses a heavy dance-pop rhythm built around a dark, romantic chorus. An alternate jazz-infused version, originally arranged for BLACKPINK's Coachella headlining set, was released alongside the main single.

Key Collaborations and "Mantra" (2023–2024)

Jennie expanded her catalog through major collaborations before launching her independent agency era:

• "One of the Girls" (2023): A mid-tempo R&B track recorded with The Weeknd and Lily-Rose Depp for the HBO series The Idol. The song achieved steady, multi-billion stream longevity across platforms.
• "SPOT!" (2024): A featured collaboration with Korean rapper and producer Zico, dominating domestic charts upon release.
• "Mantra" (October 11, 2024): Released under Odd Atelier and Columbia Records, "Mantra" marked Jennie’s first solo project managed fully outside YG Entertainment. The song features a fast-paced bassline, energetic vocal hooks, and a compact two-minute pop structure designed for global radio play.

Rosé: Acoustic Pop-Rock and Emotional Craft

Rosé’s solo catalog stands apart for its reliance on live instrumentation, singer-songwriter song structures, and all-English lyrics. While her bandmates often lean toward hard-hitting trap or synth-pop, Rosé prioritizes guitar-led arrangements and vocal dynamics.

Single Album: R (March 12, 2021)

Rosé's formal solo debut arrived as a two-track single album titled R, signaling her primary involvement in the songwriting process.

1. "On The Ground": Built around an acoustic guitar riff that transitions into an electronic drop, "On The Ground" focuses on personal priority, fame, and self-worth. It debuted at No. 70 on the Billboard Hot 100, marking the highest-charting entry by a Korean female soloist at the time of its release.
2. "Gone": A minimal, electric-guitar-driven ballad that strips away polished pop production to spotlight Rosé’s vocal tone. The song originally debuted during BLACKPINK’s 2021 livestream concert, The Show.

"APT." with Bruno Mars (October 18, 2024)

Ahead of her full-length solo album rosie, Rosé teamed up with Bruno Mars for "APT." The track draws heavy inspiration from the Korean drinking game "Apateu," pairing a chant-along chorus with 1980s pop-punk and pop-rock drums. The single debuted near the top of global charts, demonstrating how traditional Korean cultural elements can drive mainstream Western pop hits.

Lisa: High-Energy Trap, Dance, and Global Crossovers

Lisa’s solo projects highlight her skills as a main dancer and rapper. Her tracks feature aggressive trap drums, club-focused basslines, and international co-producers.

Single Album: LALISA (September 10, 2021)

Lisa’s debut single album focused heavily on high-energy performance arrangements:

• "LALISA": A brass-heavy hip-hop track incorporating Thai traditional instruments and melodic phrasing in its bridge, honoring her heritage.
• "MONEY": Originally a B-side, "MONEY" grew into a viral hit months after release. Built on a minimalist trap beat and rap delivery, it became one of the most-streamed K-pop solo songs in Spotify history.

The LLOUD Era (2024)

After establishing her management company LLOUD and partnering with RCA Records, Lisa launched a rapid slate of global singles:

• "ROCKSTAR" (June 2024): Recorded with producer Ryan Tedder, "ROCKSTAR" features hyper-pop synths and fast trap beats. The music video was filmed in Bangkok, celebrating her roots with an all-Thai production crew.
• "NEW WOMAN" feat. Rosalía (August 2024): A multi-genre pop track produced by Max Martin and ILYA, combining electronic breakdowns with Spanish-language verse trades.
• "Moonlit Floor" (October 2024): A lighter, disco-pop track sampling Sixpence None the Richer's 1990s hit "Kiss Me," showing a softer vocal style compared to her earlier rap drops.

For full technical credits and songwriting attributions across Lisa's individual discography, reference the BLACKPINK Decade Set discography catalog.

Jisoo: Traditional Motifs and Modern Synth-Pop

Jisoo was the fourth and final member to complete her solo debut during the YG era. Her work blends elegant vocal melodies with modern house and synth-pop arrangements.

Single Album: ME (March 31, 2023)

Jisoo’s debut project ME set pre-order records for a Korean female solo artist, selling over one million physical copies in its first week.

1. "FLOWER" (꽃): The lead single balances a pluck synth lead with traditional Korean instrument accents (including geomungo-style motifs). The minimal dance-pop structure focuses heavily on vocal restraint and visual choreography, making it a massive chart success across Asia.
2. "All Eyes On Me": A classic synth-pop and EDM track featuring bright lead synths, fast drums, and romantic vocal melodies. It serves as a direct contrast to the understated arrangement of "FLOWER."

Complete BLACKPINK Solo Discography Release Timeline

This chronological reference chart lists every primary solo release, single album, and major collaboration across all four members from 2018 through late 2024.

How Individual Styles Compare Across the Four Members

When you place the solo tracks side by side, clear production and songwriting patterns emerge. No two members occupy the exact same musical space.

Production and Sound Architecture

• Jennie uses complex, low-end heavy beat structures paired with conversational vocal delivery. Her songs lean heavily on dynamic switches between rap verses and smooth R&B hooks.
• Rosé prioritizes live instruments—primarily acoustic and electric guitars—over pure synth patches. Her tracks rely on organic dynamic builds, taking a verse from quiet strumming to a full electronic beat drop.
• Lisa favors loud, brassy synth hooks, fast tempo shifts, and repetitive, catchy vocal lines designed for heavy choreography. Her catalog places performance impact above traditional narrative songwriting.
• Jisoo anchors her music in classic mid-tempo house beats and synth-pop chord progressions. Her vocal delivery is steady and lower-register, emphasizing smooth melodic lines over rapid vocal runs.

What Most Listeners Get Wrong About the Solo Catalog

The biggest misconception surrounding the BLACKPINK solo discography is that these individual releases signal an internal breakup or a permanent shift away from group music.

In Western pop music history, solo releases frequently signaled group collapse. In modern K-pop, and specifically for BLACKPINK, solo work operates as a cross-promotional engine. When Lisa releases a track with Rosalía or Rosé collaborates with Bruno Mars, those projects bring new casual listeners back to the main group catalog.

Another common error is treating the individual tracks as minor side projects. By sales, streaming volume, and global chart performance, every single solo era has rivaled top-tier group releases across the broader music industry.

To cross-reference primary sources, physical packaging variants, and songwriting liner notes, consult the curated entries on the BLACKPINK Decade Set archival notes.

Frequently Asked Questions

Who was the first BLACKPINK member to release a solo song?

Jennie was the first member to go solo, releasing her debut single "SOLO" on November 12, 2018. The track was produced by long-time YG Entertainment producer Teddy Park and topped both Korean and international real-time digital charts upon release.

Do YG Entertainment and the members own their solo releases?

Releases between 2018 and 2023 were issued under YG Entertainment and Interscope Records. Songs released from 2024 onward are owned or distributed through the members' respective independent labels (Odd Atelier, LLOUD, BLISSOO) alongside international distribution partners like Columbia Records, RCA Records, and Atlantic Records.

What is the chronological order of BLACKPINK member solo debuts?

The order of solo debuts is Jennie ("SOLO" in November 2018), Rosé (R in March 2021), Lisa (LALISA in September 2021), and Jisoo (ME in March 2023).

How many songs are in the full BLACKPINK solo discography?

As of late 2024, the catalog includes over 15 standalone tracks, including single album A-sides, B-sides, special promotional singles, and high-profile international features. This number continues to expand rapidly as members prepare full-length solo studio albums.

Explore the Interactive Catalog

Tracking four separate artists across different record labels, streaming platforms, and global distribution deals requires clean data.

If you are researching track credits, comparing release formats, or reviewing historical chart positions across every era of the band's history, use the BLACKPINK Decade Set interactive fan archive to search complete, source-verified details.